| Film review: The Illusionist
What's it about? We are initially shown a youthful Eisenheim mesmerising Von Teschen with his trickery, leading to a close childhood friendship that is forcibly broken up by the girl's concerned guardians. Many years pass as Eisenheim embarks on an educational quest round the world, honing his technique, before returning to Vienna to perform to packed theatres. A chance and very public encounter with Von Teschen, now a beautiful young woman, rekindles the feelings they have for each other and Eisenheim employs his most complex illusionary tools in a bid to win her hand. Is it any good? We witness Uhl, initially through his loyalty to Prince Leopold, and latterly fuelled by a desire for moral clarity, gradually unravel Eisenheim's greatest illusion of all as the wool is successfully pulled over everyone's eyes. Sewell's display as the cold, plotting Prince Leopold is brilliantly executed and provides stark contrast with Norton and Biel as they embark on a tender love affair that provides the central foundation of an increasingly compelling plot. In the same way Uhl is constantly forced to review his reading of events, the audience is cajoled throughout as Eisenheim, inspired by his unrelenting love for Von Teschen, seeks to achieve his ultimate goal. Set against a backdrop of beautiful Viennese architecture and punctuated by a haunting Philip Glass score, the mood is set for an intriguing tale of forbidden love, the quest for power and, ultimately, an insight into the intricacies of the human mind. A beautifully constructed film with a twist to rival The Usual Suspects, Neil Burger's The Illusionist is a love story that plays on fantasy and deception of the psyche with wonderful results. Who should see it? The Illusionist goes on general release on March 2. |